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Kevin Thomas of the Los Angeles Times described the movie as having “jaunty, superficial humor” that “tends more to confirm homosexual stereotypes for easy laughter than to skewer the horror of conversion therapy”. It has been described as a favorite with gay audiences and on the art house circuit. In honor of the film’s 20th anniversary, the director’s cut of But I’m a Cheerleader was released via video on demand on December 8, 2020, and on Blu-ray on June 1, 2021.

The music video for the 2021 song “Silk Chiffon” by musical group Muna with Phoebe Bridgers pays homage to But I’m a Cheerleader and features much of the film’s iconography. The film won the Audience Award and the Graine de Cinéphage Award at the 2000 Créteil International Women’s Film Festival. In a 2006 review, Sarah Warn of AfterEllen criticized the film’s plot as “predictable” and it’s characters as “stereotypical”. Ebert wrote that the film felt “like an amateur night version of itself, awkward, heartfelt and sweet”. He praised the film though noted it would likely develop a “cult following” as opposed to being considered a classic.

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The film was first released to home video by Universal Studios on October 3, 2000, and by Lions Gate on July 22, 2002. Following its Toronto premiere, Fine Line Features acquired North American distribution rights to the film for “low six figures”, committing $500,000 to prints and advertisement and promising its filmmakers gross participation. The film premiered at the Toronto International Film Festival on September 12, 1999, and was screened at the Sundance Film Festival in January 2000. The film was rated as M (for mature audiences 15 and older) in Australia and in New Zealand, 14A in Canada, 12 in Germany and 15 in the United Kingdom. Babbit was interviewed by Kirby Dick for his 2006 documentary film This Film Is Not Yet Rated.

• It was shown at other international film festivals including the Sydney Gay and Lesbian Mardi Gras festival and the London Lesbian and Gay Film Festival.
• Two of Mary’s former students, ex-ex-gays Larry and Lloyd Morgan-Gordon, encourage the campers to rebel against her by taking them to a local gay bar called Cocksucker, where Graham and Megan’s relationship becomes romantic.
• Following its Toronto premiere, Fine Line Features acquired North American distribution rights to the film for “low six figures”, committing $500,000 to prints and advertisement and promising its filmmakers gross participation.

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• According to Box Office Mojo, it ranked at 174 for all films released in the US in 2000 and 74 for R-rated films released that year.
• While the film has developed a cult following since its release, it was not well received by conservative critics of the time, who compared it unfavorably to the films of John Waters and criticized the colorful production design.
• She initially considered Arsenio Hall for the character of Mike but Hall was uncomfortable playing a gay role.
• Babbit recruited Clea DuVall, who had starred in her short film Sleeping Beauties, to play the role of Graham Eaton.
• Their one-sentence pitch was “Two high-school girls fall in love at a reparative therapy camp.” Burns gave an initial budget of US$500,000 which was increased to US$1 million when the film went into production.

After reading an article about a man who had returned from a reparative therapy camp hating himself, she decided to combine the two ideas. Babbit and producer Andrea Sperling secured financing from Michael Burns, vice president of Prudential Insurance, after showing him the script at Sundance festival. Two of Mary’s former students, ex-ex-gays Larry and Lloyd Morgan-Gordon, encourage the campers to rebel against her by taking them to a local gay bar called Cocksucker, where Graham and Megan’s relationship becomes romantic.

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According to Box Office Mojo, it ranked at 174 for all films released in the US in 2000 and 74 for R-rated films released that year. It was shown at other international film festivals including the Sydney Gay and Lesbian Mardi Gras festival and the London Lesbian and Gay Film Festival. The film argues that films with homosexual content are treated more stringently than those with only heterosexual content, and that scenes of female sexuality draw harsher criticism from the board than those of male sexuality.

The external shots of the colorful house complete with bright pink agricultural fencing were filmed in Palmdale, California. Babbit says that her influences for the look and feel of the film included John Waters, David LaChapelle, Edward Scissorhands and Barbie. Ted Gideonse in Out magazine wrote “the costumes and colors of the film show how false the goals of True Directions are”.

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While the film has developed a cult following since its release, it was not well received by conservative critics of the time, who compared it unfavorably to the films of John Waters and criticized the colorful production design. When interviewed in the documentary film This Film Is Not Yet Rated, she criticized the MPAA for discriminating against films with homosexual content. The costume and set design of the film highlighted these themes by using artificial textures in intense blues and pinks. At camp, Megan realizes that she is indeed a lesbian and, despite the “therapy”, comes to embrace her sexuality. It was directed by Tania Azevedo, choreographed by Alexzandra Sarmiento, and produced by Paul Taylor-Mills and Bill Kenwright in association with Adam Bialow, with lighting by Martha Godfrey. Guitarist Naomi McPherson said they wanted “a song for kids to have their first gay kiss to.”

A must rental for a guaranteed laugh, especially if you’re gay!

Seventeen-year-old high school senior Megan Bloomfield loves cheerleading and is dating Jared, a football player, but does not enjoy kissing him, instead preferring to look at her fellow cheerleaders. Inspired by an article about conversion therapy and her childhood familiarity with rehabilitation programs, Babbit used the story of a young woman finding her sexual identity to explore the social construction of gender roles and heteronormativity. But I’m a Cheerleader is a 1999 American satirical teen romantic comedy film directed by Jamie Babbit in her feature directorial debut and written by Brian Wayne Peterson.

The film provides a positive representation of LGBTQ community by casting a diverse range of characters who identify as gay, lesbian, bisexual, and transgender. With girlfriend Sperling, she came up with the idea for a feature film about a cheerleader who attends reparative therapy. Natasha Lyonne stars as Megan Bloomfield, a high school cheerleader whose parents send her to a residential in-patient conversion therapy camp to “cure” her lesbianism. In 2015, Elaine Atwell, also writing for AfterEllen, gave the movie high praise, labeling it as one of the best queer films she had seen. The film was a hit with festival audiences and received standing ovations at the San Francisco International Lesbian and Gay Film Festival.

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Chris Holmlund in Contemporary American Independent Film notes this feature of the film and calls the costumes “gender-tuned”. She initially considered Arsenio Hall for the character of Mike but Hall was uncomfortable playing a gay role. Babbit recruited Clea DuVall, who had starred in her short film Sleeping Beauties, to play the role of Graham Eaton. He has said that he wanted to make a film that would not only entertain people, but also anger them and encourage them to talk about the issues it raised. Peterson had experience with reparative therapy while working at a prison clinic for sex offenders.

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The group’s prompting forces her to reluctantly admit her lesbianism, which contradicts her traditional religious upbringing and distresses her, so she puts every effort into becoming heterosexual. Mary’s son Rock is seen throughout the film making multiple sexual overtures towards vegas casino apk Mike and the other male campers. This, combined with her interests in vegetarianism and Melissa Etheridge, leads her parents, Peter and Nancy, and friends to suspect that she is a lesbian.

This film has become a classic within the LGBTQ community as it helps raise awareness of the harms of conversion therapy. Their one-sentence pitch was “Two high-school girls fall in love at a reparative therapy camp.” Burns gave an initial budget of US$500,000 which was increased to US$1 million when the film went into production. But I’m a Cheerleader was Babbit’s first feature film, following two short films, Frog Crossing (1996) and Sleeping Beauties (1999).